And once a feeling is named, we are no longer at its mercy; we are finally able to grab it and turn it around. That, Michael said, was the only way he could write: "If I sat down at a piano, if I sat here and played some chords. Iceland's greatest musical export has penned a catalog so tied to her unmatchable accented English and visionary beat-driven arrangements, it's easy to forget what a tremendous writer she is. The son of a truck driver raised in what he called "the suave part of the slums," Robinson had his first hit in 1960 with the Miracles' "Shop Around" and went onto pen the Temptations' "My Girl" and "Get Ready," Mary Wells' "My Guy," the Marvelettes' "Don't Mess With Bill," Marvin Gaye's "Ain't That Peculiar" and many more. The syncopation. As a solo act after their divorce, King gave voice to a generation of women who were establishing their own lives and identities in the Seventies; her 1971 masterpiece Tapestry remains one of the biggest-selling albums ever. Written with Chips Moman, it was recorded by Aretha Franklin in 1967, and the feminist power of Franklin's calm preaching about temptation, fidelity and sexual equality was, as Jerry Wexler put it, "perfection." . The Hardest-Working Man in Show Business often created on the fly, scrawling lyrics on a paper bag ("Sex Machine") or a cocktail napkin ("Say It Loud — I'm Black and I'm Proud"). ", The most influential folk singer in American history once described his creative process thusly: "When I'm writing a song and I get the words, I look around for some tune that has proved its popularity with the people." From the start, Sam Cooke knew how to write the kind of song people wanted to hear Sam Cooke sing — his very first pop single, "You Send Me," was the perfect showcase for his effortlessly gorgeous melismas and easygoing charm. "We didn't have the benefit of such sage advice. "If George had had his own group and was writing his own songs back then, he'd have been probably just as big as anybody," his fellow Wilbury Bob Dylan said. "I still call myself that but musically I had already gone off in a different direction. ", Jerome Felder was a Jewish kid from Brooklyn who'd been on crutches since he'd contracted polio at age six. Prince's talents as a multi-instrumentalist, producer, arranger, bandleader and live powerhouse are peerless. "There are some ingredients we share," Toussaint once said of New Orleans' unique mix of rhythmic and melodic traditions. But he gave up his performing career in the late Fifties and formed a songwriting partnership with Mort Shuman. And voila: there they are. "When Paul and I first got together, we wanted to be the British Goffin and King," John Lennon once said. Working together, the duo have pursued their expansive vision from the adolescent cry of "Out of Control" to political anthems like "Sunday Bloody Sunday" to the stadium-shaking roar of "Where the Streets Have No Name" to the funky, danceable "Mysterious Ways" and "Discotheque" all the way through the highly-personable "The Miracle (of Joey Ramone)" from last year's Songs of Innocence. "He ricochets around them." Harry had that gift. Maybe try never calling a song done until you’ve recorded it in five radically different arrangements. Which is a rare, inexplicable talent to have," Randy Newman once said of Nilsson's easy way with complex melodies and counterpoint. I would write it out on a piece of paper and underneath, I'd line a word up with each syllable: 'and bend all mystic sentence trees.' "Smokey Robinson was like God in our eyes," Paul McCartney once said. Harrison wrote one of the Beatles' earliest openly political songs in 1966's "Taxman" and one of their prettiest late-period tunes in "Here Comes the Sun." ", Neil Young's epic career has veered wildly from folk-rock to country to hard rock to synth-driven New Wave pop to rockabilly to bar-band blues. famous songwriters who don't sing. As Marley continued to find his voice in the early Seventies, his songs took on an unrivaled breadth and power, especially as he began yoking his skills as an anthemic craftsman to lyrics that raised the banner of Third World struggles against systemic oppression. "It was 1973 when I wrote it, about a year before I joined Fleetwood Mac. It’s definitely not her vocals, because her singing voice leaves much to be desired.

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