One of the most revelatory voices to emerge from the postwar explosion of international art-house cinema, Bergman was a master storyteller who startled the world with his stark intensity and naked pursuit of the most profound metaphysical and spiritual questions. Nearly a decade later—and after shooting a number of arresting dramas there and making the island his primary residence—the director set out to pay tribute to its inhabitants. The film revealed Bergman to be a sensitive and masterly documentarian. Starring Max von Sydow and photographed by the brilliant Sven Nykvist, the film is both beautiful and cruel in its depiction of a world teetering between paganism and Christianity. Chock-full of flirtatious propositions and sharp witticisms delivered by such Swedish screen legends as Gunnar Björnstrand and Harriet Andersson, Smiles of a Summer Night is one of cinema’s great erotic comedies. Accompanied by a 248-page book with essays on each program, as well as by more than thirty hours of supplemental features, Ingmar Bergman’s Cinema traces themes and images across Bergman’s career, blazing trails through the master’s unequaled body of work for longtime fans and newcomers alike. With this spare chamber piece, set in an empty theater, Ingmar Bergman returned to his perennial theme of the permeability of life and art. In honor of Ingmar Bergman’s one hundredth birthday, the Criterion Collection is proud to present the most comprehensive collection of his films ever released on home video. What follows is one of Bergman’s darkest and most fearful visions, as the drowned-in-drink Abel and Max’s ex-wife, cabaret singer Manuela (Liv Ullmann), feel increasingly unwelcome in a menacing and destitute city, eyed by the police as well as a scientist with diabolical intentions. Crisis proved that Bergman had an incipient gift for developing characters and evoking atmosphere on-screen. Regarded as one of the most sexually provocative films of its day, Ingmar Bergman’s The Silence offers a disturbing vision of emotional isolation in a suffocating spiritual void. In the first of a series of legendary performances for Bergman, Liv Ullmann plays a stage actor who has inexplicably gone mute; an equally mesmerizing Bibi Andersson is the garrulous young nurse caring for her in a remote island cottage. Over the course of a day and a long, painful night that the two spend together after an extended separation, they finally confront the bitter discord of their relationship. Intricately structured and technically accomplished, Thirst is an often dazzling examination of people burdened by the past and united in isolation. With the box set Ingmar Bergman’s Cinema, releasing this November, the Criterion Collection is celebrating the director’s film work with a selection of thirty-nine of his features, including his directorial debut, Crisis (1946), and his farewell, Saraband (2003), completed three and a half years before his death, on July 30, 2007, at the age of eighty-nine. In honor of Ingmar Bergman’s one hundredth birthday, the Criterion Collection is proud to present the most comprehensive collection of his films ever released on home video. Shot on 16 mm in intense, intimate close-ups by cinematographer Sven Nykvist and featuring flawless performances by Ullmann and Josephson, Bergman’s emotional X-ray reveals the intense joys and pains of a complex bond. from $197.71, 2 used from $197.63, Ingmar Bergman's Cinema (Criterion Collection), Ingmar Bergman’s Cinema [Criterion Collection] [Blu-ray]. In the 1978 British television documentary Ingmar Bergman at 60, Bergman describes spying a brown package among the gifts piled under the staircase one childhood Christmas season and knowing, by the shape and weight of it, exactly what lay inside—a film projector. An intensely felt film that is one of Bergman’s most striking formal experiments, Cries and Whispers (which won an Oscar for the extraordinary color photography by Sven Nykvist) is a powerful depiction of human behavior in the face of death, positioned on the borders between reality and nightmare, tranquility and terror. I am following Criterion’s order and have loved every moment so far. A chamber piece performed by four wounded characters and suffused with disappointment and forgiveness, Saraband is a generous farewell to cinema from one of its greatest artists. While at a summerhouse, awaiting their husbands’ return, a group of sisters-in-law recount stories from their respective marriages. The strangest and most disturbing of the films Ingmar Bergman shot on the island of Fårö, Hour of the Wolf stars Max von Sydow as a haunted painter living in voluntary exile with his wife (Liv Ullmann). Another major success for the director that was also recognized for its exquisite performances by Ingrid Thulin, Eva Dahlbeck, and Bibi Andersson, Brink of Life is one of Bergman’s most brilliantly nuanced explorations of the inner lives of women. The sharply written and impeccably performed After the Rehearsal, originally made for television, pares away all artifice to examine both the allure and the cost of a life in the theater. Lingering after a rehearsal for August Strindberg’s A Dream Play (a touchstone for the filmmaker throughout his career), eminent director Henrik (Erland Josephson) enters into a frank and flirtatious conversation with his up-and-coming star, Anna (Lena Olin), leading him to recall his affair with Anna’s late mother, the self-destructive actress Rakel (Ingrid Thulin). Upon its release, the filmmaker declared this emotionally complex and sensitively performed film to be his first real love story. The producer of our edition of Chris Hegedus and D. A. Pennebaker’s landmark documentary shares what she learned about the galvanizing figures at the center of the film. With this dark and multilayered drama, sustained by biting dialogue, Ingmar Bergman began to reveal his profound understanding of the female psyche.

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